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DELUSIONARIUM 5 (ADAPTATION)

Night Gallery is pleased to present Delusionarium 5 (Adaptation), a group exhibition opening across two Los Angeles exhibition spaces, Night Gallery and as-is.la. The project has been in the works for years, co-curated by Jesse Benson and Becky Koblick with essential input from Davida Nemeroff, and an exhibition-within-the-exhibition Flame from the Dark Tower collaboratively organized by Leila Weefur and 5/5 Collective at as-is.la, as well an active publication accompaniment.

FEATURED ARTISTS

Shagha Ariannia, Cara Benedetto, Jesse Benson, Tanyth Berkeley, Hildegarde Duane, Benjamin Echeverria, Elizabeth Englander, Elif Erkan, Awol Erizku, Mark Flores, Daniel T. Gaitor-Lomack, William E. Jones, Sean Kennedy, Tom Krumpak, Tory J. Lowitz, Brian Mann, Star Montana, David Muenzer, Jeanette Mundt, D’Ette Nogle, Catalina Ouyang, Puppies Puppies (Jade Kuriki Olivo), Mark Roeder, Michael E. Smith, Peter Wächtler, Leila Weefur and 5/5 Collective, Takako Yamaguchi

INSTALL 1

Delusionarium 5 (Adaptation), installation view, 2021
From left: Cara Benedetto, Elif Erkan, Hildegarde Duane, Mark Flores, Shagha Ariannia, Catalina Ouyang, Benjamin Echeverria, Peter Wächtler, Catalina Ouyang

D5 is part of a nomadic group exhibition series initiated by Benson in 2004, playing off biennial structures but not bound to any regular pattern of emergence, and organized not around a concept or formal principle, but through a supportive social structure. After a 13-year hiatus Delusionarium has returned.

Iterations in the series evolve organically and contrasting elements are embraced, allowing contributors to include essentially anything they want to. A vaguely established thread connects and supports all moments within the series, without a harnessing effect. The nomadic nature of the series allows for new contexts and illuminates the specificity of each site and situation without asking artists to work in situ.

Content

Cara Benedetto, Starry Messenger (Red), ​2020

Cara Benedetto, Starry Messenger (White), 2020

Cara Benedetto, Starry Messenger (Blue), ​2020

CARA

Cara Benedetto, Starry Messengers (Red, White, and Blue), 2020, installation view in Delusionarium 5 (Adaptation), 2021

INSTALL 2

Delusionarium 5 (Adaptation), installation view, 2021
From left: Catalina Ouyang, Tanyth Berkeley

CATALINA

Catalina Ouyang, risk assessment (but, but what made me do the bad thing?), 2019

Content

Benjamin Echeverria, Untitled, 2021

Content

Tanyth Berkeley, Pigtail Hat Girl (Beauty Pageant Contestant), 2020

Tanyth Berkeley, Practice Balloons/Table, 2003-2020

Tanyth Berkeley, Trumper, Inauguration Day, 2017, 2017-2020

Tanyth Berkeley, Clown Posse, 2003-2020

Tanyth Berkeley, Linda Leven Streamers, 2020

SHAGHA

Shagha Ariannia, Dirty Head​, 2020

MARK FLORES

Mark Flores, Everything Nothing, 2018

 

catalina

Catalina Ouyang, yoke of thyself, 2019

WACHTLER

Peter Wächtler, Untitled, 2014

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INSTALL 3

Delusionarium 5 (Adaptation), installation view, 2021
From left: Puppies Puppies (Jade Kuriki Olivo), Elif Erkan, exhibition catalog poster, Elif Erkan, Hildegarde Duane

Content

Hildegarde Duane, Meltdown, 1982
Single channel video with sound, 1 minute 15 seconds
Starring Hildegarde Duane and Jay Struthers
Camera by Ilene Segalove | Score by Don Preston 
© Hildegarde Duane, 1982.

Hildegarde Duane, Meltdown, 1982
Single channel video with sound, 1 minute 15 seconds
Starring Hildegarde Duane and Jay Struthers
Camera by Ilene Segalove | Score by Don Preston 
© Hildegarde Duane, 1982.

PUPPIES PUPPIES 1

Puppies Puppies (Jade Kuriki Olivo), Cielo Oscuro’s GoFundMe: Indigenous Trans Woman Recovery and Survival Fund • Mutual Aid is how our community looks out for each other. •
If this piece sells the entire sale goes to support my sister Cielo.,
 2021

VISIT CIELO OSCURO'S GOFUNDME HERE

PUPPIES PUPPIES 2

Puppies Puppies (Jade Kuriki Olivo), Lexii Foxx’s GoFundMe: Support Lexii Foxx in her transitional journey • Mutual Aid is how our community looks out for each other. •
If this piece sells the entire sale goes to support my sister Lexii.
, 2021

VISIT LEXII FOXX'S GOFUNDME HERE

Content

Elif Erkan, Turbinen, 2021
 

Elif Erkan, Sundeck Suites, Cabins, 2021

Elif Erkan, Incinerator Room, 2021

Elif Erkan, Dry Dock, 2021

Delusionariums often use loose subtitles that aren’t thematically restrictive. The subtitle for D5 was provided by Nemeroff back in 2019, mentioning at the time that she had been thinking about adaptation. An amazing premonition, given the enormous rate of change we all experienced in the subsequent years. Originally scheduled and announced to open April 2020, D5 had to adapt to survive like everything else.

INSTALL 4

Delusionarium 5 (Adaptation), installation view, 2021
From left: Puppies Puppies (Jade Kuriki Olivo), Jesse Benson, Mark Flores, Awol Erizku, Elizabeth Englander, David Muenzer, Sean Kennedy

ELIZABETH ENGLANDER

Elizabeth Englander, Mud Angel, 2020

800px

Content

Jesse Benson, Excellence Painting 1, 2020

Jesse Benson, Excellence Painting 1, 2020

Jesse Benson, Excellence Painting 1, detail, 2020

Jesse Benson, Excellence Painting 1, detail, 2020
 

Content

Awol Erizku, The Definition (see no evil, hear no evil, speak no evil), 2018-2020

Awol Erizku, The Definition (see no evil, hear no evil, speak no evil), detail, 2018-2020

Awol Erizku, The Definition (see no evil, hear no evil, speak no evil), detail, 2018-2020

Awol Erizku, The Definition (see no evil, hear no evil, speak no evil), detail, 2018-2020

Awol Erizku, The Definition (see no evil, hear no evil, speak no evil), detail, 2018-2020

Awol Erizku, The Definition (see no evil, hear no evil, speak no evil), detail, 2018-2020

MUENZER

David Muenzer, Semper Fidelis, 2020

800px

Delusionarium is specific to its moment in history. In its infancy the series anticipated the collapse of roles, self-publishing, and DIY culture of our contemporary moment. Before fairs, gallery shares and gig culture had all become ubiquitous Delusionarium worked toward shared economies of space and labor both to amplify the visibility of platforms and to investigate collaborative exhibition models. Night Gallery and as-is.la were chosen for their programs, spaces, and histories as contributors to the cultural landscape of Los Angeles. A future D6 could exist anywhere.

INSTALL 7

Delusionarium 5 (Adaptation), installation view, 2021
From left: Shagha Ariannia, Star Montana, Daniel T. Gaitor-Lomack, Sean Kennedy

Content

Star Montana, Brooklyn and Soto Memorial, 2018

Star Montana, Carlos Lopez Jr., 2007, 2019

Star Montana, In Memory, 2019

Content

Sean Kennedy, Untitled, 2020

Sean Kennedy, Untitled, 2020

Sean Kennedy, Untitled, 2020

Sean Kennedy, Untitled, 2020

Shagha Ariannia

Shagha Ariannia, A Red Night, 2020

700px

Content

Mark Roeder, Nine Dead Sparrows (#1-9), 2021

Mark Roeder, Nine Dead Sparrows #1, 2021

Mark Roeder, Nine Dead Sparrows #2, 2021

Mark Roeder, Nine Dead Sparrows #7, 2021

Mark Roeder, Nine Dead Sparrows #8, 2021

Mark Roeder, Nine Dead Sparrows (#1-9), 2021

DTGL 2

Daniel T. Gaitor-Lomack, Hilary, 2020

600px

TAKAKO YAMAGUCHI

Takako Yamaguchi, Untitled (21), 2020

INSTALL 6

Delusionarium 5 (Adaptation), installation view, 2021
Wall works (from left): Jeanette Mundt, Tom Krumpak
Floor sculptures: Tory J. Lowitz

JEANETTE MUNDT

Jeanette Mundt, I Want to Hold Her Head Under Water (Sit on Me), 2020

700px

Content

Tom Krumpak, Mid-Air, 2016

Content

Tom Krumpak, Magnetic Attraction, 2016

INSTALL 5

Delusionarium 5 (Adaptation), installation view, 2021
From left: William E. Jones, Daniel T. Gaitor-Lomack, Puppies Puppies (Jade Kuriki Olivo)

DTGL 1

Daniel T. Gaitor-Lomack, Knowledge Ablaze, 2020

600px

WILLIAM E JONES 1

William E. Jones, Homage to the Square 11 (Andy Warhol—Bridget Riley—catacombs—Patty Hearst), 2019

WILLIAM E JONES 2

William E. Jones, Homage to the Square 9 (Swiss Alps—Gerhard Richter—Maison Margiela—Turkish bath), 2019

MICHAEL E SMITH

Michael E. Smith, Untitled, 2021

700px

WILLIAM E JONES VIDEO STILL

LEFT: A still from William E. Jones' Discrepancy (A New All Around Leap Forward Situation Is Emerging), 2009, which appropriates sequences from a 1960s Technicolor propaganda film about nuclear tests in China. Two sequences from the original film, in lurid color and alternating ever more quickly, culminate in an apocalyptic, stroboscopic mushroom cloud.

BELOW: Brian Mann’s audio work is an artist bio created for a solo show at Michael Benevento in 2016.

Brian Mann, Bio (Taurus), 2016

Delusionarium 5 (Adaptation) includes a type of exhibition catalog that exists in two forms. In addition to a new text by Anthony Carfello, the publication features contributions from the exhibiting artists and dozens of additional participants.

The publication was originally planned as a printed booklet but that changed when participating artist D’Ette Nogle proposed a dematerial work for her contribution to the exhibition. Her work consisted of a “demand” to shift the publication from printed booklets to printed posters, reshuffling the material that had been designed for another format.

POSTER

Limited-edition posters are available for purchase.
For inquiries, please email info@nightgallery.ca.

As the result of a counter-proposal of a second dematerial work by Leila Weefur and 5/5 Collective it was determined that the catalog would exist as both a two-sided full-color lithograph poster and as a free online printable booklet. Because of the incredible dematerial exchanges, the range of contributions, the crucially valuable texts, and the absolute mastery of Atlantic Design Solutions, the catalog is an active and essential force within the exhibition (literally so with the poster hanging amongst artworks in the gallery).

Souvenir programs with local advertisers were considered for aesthetic inspiration. In that vein a design concept was enlisted to invite contributors to produce ads and things like ads to intermingle with artists’ pages. In the end that material was used in the two forms of the catalog. Included in the number of contributors: Ana Iwataki, Keith J. Varadi, Jason Underhill, Pizzanista. Local 1, Bel Ami, What Pipeline, ASHES/ASHES, and dozens more. The beautiful catalog text by Anthony Carfello serves as an obituary for recently passed Italian architect, author, and professor Giovanni Brino, whose playfully categorical methods of analyzing information within urban environments like Los Angeles continue to be hugely influential. Within the context of our exhibition Brino’s models appear recognizably in dialogue with contemporary curatorial strategies.

The D5 catalog can be downloaded in readable and printable formatting at the bottom of the viewing room.

Flame from the Dark Tower

DELUSIONARIUM 5 (ADAPTATION) continues at as-is.la with Flame from the Dark Tower, a collaborative installation between Leila Weefur and 5/5 Collective (Troy Chew, Nkiruka Oparah, Tania Balan-Gaubert). Inspired by the collective work in the 1926 journal Fire!! by The Niggerati, Flame from the Dark Tower is an interdisciplinary reflection on the embodying of light and the dismantling of power structures. Each work is a conceptual departure of the installation's central theme - fire and the ways fire is a force used to de- and re- construct power.

More information on the exhibition can be found here. 

Jesse Benson is an artist currently based in Oakland. His work has exhibited internationally. Recent solo exhibitions include You Are Someone I can Tell My Secrets To at LOCKER (2020, Los Angeles) and Miracle Grow at Michael Benevento (2017, Los Angeles). Benson regularly engages in collaborative curatorial/organizational projects. Recent examples include his part in co-founding the collective Assembly®, and his initiation of the artist-on-artist writing journal The Benefit of Friends Collected, of which Volume 2 was published by Project X (X-TRA Magazine) and co-edited with Shana Lutker. 

Becky Koblick is an independent curator and director of Altman Siegel, San Francisco. In 2019 Koblick relocated to the Bay Area from Los Angeles, where she held director positions with Art Los Angeles Contemporary (2017-2019) and Michael Benevento (2012-2017). She is a founding member of the collective Assembly® and co-founder of Los Angeles project space sixteen:one (2002-2004). Koblick received her MFA from Goldsmiths Curatorial Department in London in 2011 and worked in gallery director positions in London and Brussels (2009-2011).

Cara Benedetto
Starry Messenger (Red), 2020
digital print with lithograph print chine-collé
32 1/4 x 43 1/4 in (81.9 x 109.9 cm)
CB018

Inquire

Tanyth Berkeley
Practice Balloons/Table, 2003-2020
c-print
15 1/8 x 19 1/2 in (38.4 x 49.5 cm)
Edition of 5
TB001

Inquire

Tanyth Berkeley
Clown Posse, 2003-2020
c-print
23 1/2 x 24 1/4 in (59.7 x 61.6 cm)
Edition of 5
TB005

Inquire

Catalina Ouyang
risk assessment (but, but what made me do the bad thing?), 2019
plaster, steel, burlap, pigment, carpet, symbiotic colonies of bacteria and yeast, garments, epoxy resin, enamel paint, aluminum, chair glides, abandoned security camera, mothballs, lightbulb
dimensions variable
CO003

Inquire

Catalina Ouyang
yoke of thyself, 2019
white ribbed tank, tattoo ink, blood, symbiotic colonies of bacteria and yeast, stones 48 x 16 x 12 in (121.9 x 40.6 x 30.5 cm)
CO002

Inquire

Peter Wächtler
Untitled, 2014
watercolor and pencil on paper
28 1/4 x 19 in (71.8 x 48.3 cm)
PW001

Inquire

Benjamin Echeverria
Untitled, 2021
oil and primer on canvas
43 x 28 1/2 in (109.2 x 72.4 cm)
BE001

Inquire

Mark Flores
Everything Nothing, 2018
reclaimed wood, oil paint, acrylic paint, plexiglass and casters
89 1/4 x 30 x 25 in (226.7 x 76.2 x 63.5 cm)
MFL001

Inquire

Shagha Ariannia
Dirty Head, 2020
acrylic and Flashe vinyl on canvas
18 x 24 in (45.7 x 61 cm)
SAR004

Inquire

Hildegarde Duane
Pink Slip, 1983
Single channel video with sound 7 minutes 10 seconds
HD002

Inquire

Hildegarde Duane
Meltdown, 1982
Single channel video with sound 1 minute 16 seconds
HD001

Inquire

Elif Erkan
Sundeck Suites, Cabins, 2021
canvas, plasticine, iron oxide, acrylic, puzzle
11 4/5 x 15 3/4 in (30 x 40 cm)
EEN001

Inquire

Elif Erkan
Turbinen, 2021
canvas, plasticine, iron oxide, acrylic, cumin, puzzle
15 3/4 x 11 4/5 in (40 x 30 cm)
EEN003

Inquire

Puppies Puppies (Jade Kuriki Olivo)
Lexii Foxx’s GoFundMe: Support Lexii Foxx in her transitional journey • Mutual Aid is how our community looks out for each other. • If this piece sells the entire sale goes to support my sister Lexii., 2021
vinyl adhesive
52 2/3 x 84 in (133.8 x 213.4 cm)
Ed. of 3 + 1 A.P.
PP002

Inquire

Jesse Benson
Excellence Painting 1, 2020
oil on two sided wooden panel, metal hardware
78 x 36 in (198.1 x 91.4 cm)
JBN001

Inquire

Awol Erizku
The Definition (see no evil, hear no evil, speak no evil), 2018-2020
archival pigment print, paper, incense, artist frame
49 1/2 x 56 in (125.7 x 142.2 x 5.1 cm)
AE155

Inquire

David Muenzer
Semper Fedelis, 2020
oil on linen
60 x 48 in (152.4 x 121.9 cm)
DMU004

Inquire

Elizabeth Englander
Mud Angel, 2020
steel, paper, cotton twine
54 x 26 x 40 in (137.2 x 66 x 101.6 cm)
EE001

Inquire

Sean Kennedy
Untitled, 2020
latex paint on acrylic, CA Lottery Scratchers, machine screws, aluminum standoffs
71 3/4 x 11 1/2 x 1 in (182.3 x 29.2 x 2.5 cm)
SKE001

Inquire

Shagha Ariannia
A Red Night, 2020
acrylic and Flashe vinyl on canvas 56 x 48 in (142.2 x 121.9 cm)
SAR001

Inquire

Mark Flores
Never High Enough, Always Low Enough, 2018
reclaimed wood, oil paint, acrylic paint, casters
38 3/4 x 24 1/2 x 19 1/2 in (98.4 x 62.2 x 49.5 cm)
MFL002

Inquire

Star Montana
Carlos Lopez Jr., 2007, 2019
inkjet print on Sintra
18 x 24 in (45.7 x 61 cm)
Ed. 1 of 5 + 2 A.P.
STM002

Inquire

Star Montana
In Memory, 2019
inkjet print on Sintra
16 x 13 4/5 in (40.6 x 35.1 cm)
Ed. 1 of 5 + 2 A.P.
STM003

Inquire

Star Montana
Brooklyn and Soto Memorial, 2018
archival inkjet print
20 x 25 in (50.8 x 63.5 cm)
Ed. 1 of 5 + 2 A.P.
STM001

Inquire

Sean Kennedy
Untitled, 2020
latex paint on acrylic, CA Lottery Scratchers, machine screws, aluminum standoffs
71 3/4 x 11 1/2 x 1 in (182.3 x 29.2 x 2.5 cm)
SKE004

Inquire

William E. Jones
Discrepancy (A New All Around Leap-Forward Situation is Emerging), 2009 video, color, sound
9 minutes 30 seconds
Ed. 1 of 5 + 2 A.P.
WEJ008

Inquire

Daniel T. Gaitor-Lomack
Hilary, 2020
found mixed media
dimensions variable
DTGL006
 

Inquire

Mark Roeder
Nine Dead Sparrows (#1-9), 2021
wax
Dimensions variable
MRO011

Inquire

Takako Yamaguchi
Untitled (21), 2020
oil on linen
18 x 24 in (45.7 x 61 cm)
TY001

Inquire

Jeanette Mundt
I'd Like to Hold Her Head Under Water (Sit on Me), 2020
oil and Sharpie on linen
49 x 36 in (124.5 x 91.4 cm)
JMU001

Inquire

Tory J. Lowitz
CHUD 2, 2021
Chinese Rootwood, Burl Wood, Metal Fencing, Stucco, Enamel, Cellophane, Strelitzia, Milkweed, Tillandsia, Cable, Polymers
63 x 56 x 38 in (160 x 142.2 x 96.5 cm)
TJL002

Inquire

Tory J. Lowitz
CHUD 1, 2021
Chinese Rootwood, Burl Wood, Juniper, Petrified Soil, Metal Fencing, Stucco, Cement, Enamel, Cellophane, Hydrangea, Milkweed, Cable, Polymers
30 x 47 x 18 in (76.2 x 119.4 x 45.7 cm)
TJL001

Inquire

Tom Krumpak
Mid-Air, 2016
acrylic on canvas
24 x 24 in (61 x 61 cm)
TK002

Inquire

Tom Krumpak
Magnetic Attraction, 2016
acrylic on canvas
24 x 24 in (61 x 61 cm)
TK003

Inquire

William E. Jones
Homage to the Square 11 (Andy Warhol—Bridget Riley—catacombs—Patty Hearst), 2019
collage
15 x 15 in (38.1 x 38.1 cm)
WEJ001

Inquire

William E. Jones
Homage to the Square 9 (Swiss Alps—Gerhard Richter—Maison Margiela—Turkish bath), 2019
collage
15 x 15 in (38.1 x 38.1 cm)
WEJ005

Inquire

Daniel T. Gaitor-Lomack
Knowledge Ablaze, 2020
found mixed media
dimensions variable
DTGL004

Inquire

Michael E. Smith
Untitled, 2021
altered stove pot
10 x 13 x 5 in (25.4 x 33 x 12.7 cm)
MES002

Inquire

Puppies Puppies (Jade Kuriki Olivo)
Cielo Oscuro’s GoFundMe: Indigenous Trans Woman Recovery and Survival Fund • Mutual Aid is how our community looks out for each other. • If this piece sells the entire sale goes to support my sister Cielo., 2021
vinyl adhesive
50 3/4 x 84 in (128.9 x 213.4 cm)
Ed. of 3 + 1 A.P.
PP001

Inquire

Cara Benedetto
Starry Messenger (Red), 2020
digital print with lithograph print chine-collé
32 1/4 x 43 1/4 in (81.9 x 109.9 cm)
CB018

Tanyth Berkeley
Practice Balloons/Table, 2003-2020
c-print
15 1/8 x 19 1/2 in (38.4 x 49.5 cm)
Edition of 5
TB001

Tanyth Berkeley
Clown Posse, 2003-2020
c-print
23 1/2 x 24 1/4 in (59.7 x 61.6 cm)
Edition of 5
TB005

Catalina Ouyang
risk assessment (but, but what made me do the bad thing?), 2019
plaster, steel, burlap, pigment, carpet, symbiotic colonies of bacteria and yeast, garments, epoxy resin, enamel paint, aluminum, chair glides, abandoned security camera, mothballs, lightbulb
dimensions variable
CO003

Catalina Ouyang
yoke of thyself, 2019
white ribbed tank, tattoo ink, blood, symbiotic colonies of bacteria and yeast, stones 48 x 16 x 12 in (121.9 x 40.6 x 30.5 cm)
CO002

Peter Wächtler
Untitled, 2014
watercolor and pencil on paper
28 1/4 x 19 in (71.8 x 48.3 cm)
PW001

Benjamin Echeverria
Untitled, 2021
oil and primer on canvas
43 x 28 1/2 in (109.2 x 72.4 cm)
BE001

Mark Flores
Everything Nothing, 2018
reclaimed wood, oil paint, acrylic paint, plexiglass and casters
89 1/4 x 30 x 25 in (226.7 x 76.2 x 63.5 cm)
MFL001

Shagha Ariannia
Dirty Head, 2020
acrylic and Flashe vinyl on canvas
18 x 24 in (45.7 x 61 cm)
SAR004

Hildegarde Duane
Pink Slip, 1983
Single channel video with sound 7 minutes 10 seconds
HD002

Hildegarde Duane
Meltdown, 1982
Single channel video with sound 1 minute 16 seconds
HD001

Elif Erkan
Sundeck Suites, Cabins, 2021
canvas, plasticine, iron oxide, acrylic, puzzle
11 4/5 x 15 3/4 in (30 x 40 cm)
EEN001

Elif Erkan
Turbinen, 2021
canvas, plasticine, iron oxide, acrylic, cumin, puzzle
15 3/4 x 11 4/5 in (40 x 30 cm)
EEN003

Puppies Puppies (Jade Kuriki Olivo)
Lexii Foxx’s GoFundMe: Support Lexii Foxx in her transitional journey • Mutual Aid is how our community looks out for each other. • If this piece sells the entire sale goes to support my sister Lexii., 2021
vinyl adhesive
52 2/3 x 84 in (133.8 x 213.4 cm)
Ed. of 3 + 1 A.P.
PP002

Jesse Benson
Excellence Painting 1, 2020
oil on two sided wooden panel, metal hardware
78 x 36 in (198.1 x 91.4 cm)
JBN001

Awol Erizku
The Definition (see no evil, hear no evil, speak no evil), 2018-2020
archival pigment print, paper, incense, artist frame
49 1/2 x 56 in (125.7 x 142.2 x 5.1 cm)
AE155

David Muenzer
Semper Fedelis, 2020
oil on linen
60 x 48 in (152.4 x 121.9 cm)
DMU004

Elizabeth Englander
Mud Angel, 2020
steel, paper, cotton twine
54 x 26 x 40 in (137.2 x 66 x 101.6 cm)
EE001

Sean Kennedy
Untitled, 2020
latex paint on acrylic, CA Lottery Scratchers, machine screws, aluminum standoffs
71 3/4 x 11 1/2 x 1 in (182.3 x 29.2 x 2.5 cm)
SKE001

Shagha Ariannia
A Red Night, 2020
acrylic and Flashe vinyl on canvas 56 x 48 in (142.2 x 121.9 cm)
SAR001

Mark Flores
Never High Enough, Always Low Enough, 2018
reclaimed wood, oil paint, acrylic paint, casters
38 3/4 x 24 1/2 x 19 1/2 in (98.4 x 62.2 x 49.5 cm)
MFL002

Star Montana
Carlos Lopez Jr., 2007, 2019
inkjet print on Sintra
18 x 24 in (45.7 x 61 cm)
Ed. 1 of 5 + 2 A.P.
STM002

Star Montana
In Memory, 2019
inkjet print on Sintra
16 x 13 4/5 in (40.6 x 35.1 cm)
Ed. 1 of 5 + 2 A.P.
STM003

Star Montana
Brooklyn and Soto Memorial, 2018
archival inkjet print
20 x 25 in (50.8 x 63.5 cm)
Ed. 1 of 5 + 2 A.P.
STM001

Sean Kennedy
Untitled, 2020
latex paint on acrylic, CA Lottery Scratchers, machine screws, aluminum standoffs
71 3/4 x 11 1/2 x 1 in (182.3 x 29.2 x 2.5 cm)
SKE004

William E. Jones
Discrepancy (A New All Around Leap-Forward Situation is Emerging), 2009 video, color, sound
9 minutes 30 seconds
Ed. 1 of 5 + 2 A.P.
WEJ008

Daniel T. Gaitor-Lomack
Hilary, 2020
found mixed media
dimensions variable
DTGL006
 

Mark Roeder
Nine Dead Sparrows (#1-9), 2021
wax
Dimensions variable
MRO011

Takako Yamaguchi
Untitled (21), 2020
oil on linen
18 x 24 in (45.7 x 61 cm)
TY001

Jeanette Mundt
I'd Like to Hold Her Head Under Water (Sit on Me), 2020
oil and Sharpie on linen
49 x 36 in (124.5 x 91.4 cm)
JMU001

Tory J. Lowitz
CHUD 2, 2021
Chinese Rootwood, Burl Wood, Metal Fencing, Stucco, Enamel, Cellophane, Strelitzia, Milkweed, Tillandsia, Cable, Polymers
63 x 56 x 38 in (160 x 142.2 x 96.5 cm)
TJL002

Tory J. Lowitz
CHUD 1, 2021
Chinese Rootwood, Burl Wood, Juniper, Petrified Soil, Metal Fencing, Stucco, Cement, Enamel, Cellophane, Hydrangea, Milkweed, Cable, Polymers
30 x 47 x 18 in (76.2 x 119.4 x 45.7 cm)
TJL001

Tom Krumpak
Mid-Air, 2016
acrylic on canvas
24 x 24 in (61 x 61 cm)
TK002

Tom Krumpak
Magnetic Attraction, 2016
acrylic on canvas
24 x 24 in (61 x 61 cm)
TK003

William E. Jones
Homage to the Square 11 (Andy Warhol—Bridget Riley—catacombs—Patty Hearst), 2019
collage
15 x 15 in (38.1 x 38.1 cm)
WEJ001

William E. Jones
Homage to the Square 9 (Swiss Alps—Gerhard Richter—Maison Margiela—Turkish bath), 2019
collage
15 x 15 in (38.1 x 38.1 cm)
WEJ005

Daniel T. Gaitor-Lomack
Knowledge Ablaze, 2020
found mixed media
dimensions variable
DTGL004

Michael E. Smith
Untitled, 2021
altered stove pot
10 x 13 x 5 in (25.4 x 33 x 12.7 cm)
MES002

Puppies Puppies (Jade Kuriki Olivo)
Cielo Oscuro’s GoFundMe: Indigenous Trans Woman Recovery and Survival Fund • Mutual Aid is how our community looks out for each other. • If this piece sells the entire sale goes to support my sister Cielo., 2021
vinyl adhesive
50 3/4 x 84 in (128.9 x 213.4 cm)
Ed. of 3 + 1 A.P.
PP001

Downloadables

READABLE CATALOG   (PT. 1)
READABLE CATALOG (PT. 1)
READABLE CATALOG (PT. 2)
READABLE CATALOG (PT. 3)
PRINTABLE CATALOG (PT. 1)

PRINT INSTRUCTIONS: Print 2-sided. Tabloid format. Stack, trim, fold, staple.

PRINTABLE CATALOG (PT. 2)

PRINT INSTRUCTIONS: Print 2-sided. Tabloid format. Stack, trim, fold, staple.

PRINTABLE CATALOG (PT. 3)

PRINT INSTRUCTIONS: Print 2-sided. Tabloid format. Stack, trim, fold, staple.