Please ensure Javascript is enabled for purposes of website accessibility Skip to content

Top Banner Fit

HOT GLUE

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

In wide swatches of blue, yellow and rust tones the forms of three women in restful poses emerge from the abstraction that dominates the composition.

Sarah Awad, Against a Southland Sky, 2023

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

A blend of recycled paper pulp is applied to the front page of the New York Times. Colorful checkered grids are painted overtop and four fruit stickers line the bottom.

Magnus Maxine, The New York Times Saturday May 30th 2020, 2020-2023

Hot Glue -  - Viewing Room - Night Gallery
A free standing sculpture with a sliced piece of antler anchored into walnut wood. A bow used on string instruments balances on top of the antler with a triangular piece of wood brushed with pink paint.

Conrad Guevara, sfffz, 2023

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

Two nude figures cut out of paper engage in an intimate act that ripples into orange and black pools of lava that surround them.

Khari Johnson-Ricks, Hotshot!, 2023

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

Thick strokes of blue, red, pink, green, orange and yellow layer overtop of one another in chaotic harmony on unprimed linen.

Alex Andrew Sanchez, Once, if I remember well, my life was a feast where all hearts opened and all wines flowed., 2023

Four hands rendered in brown glaze interlock and form a circle around amorphous drippy white, blue and green forms.

Julia Haft-Candell, Interlocking Arch (With Bits of Nothing/Everything, Chains and Necklace), 2023

A muddy marsh filled with vape cartridges, a baby's shoe, empty bottles and a hello kitty stuffed toy are rendered in light and drippy watercolor brush strokes.

Sterling Wells, Ballona Creek 2 (Hello Kitty/ You Belong Here/ End Plastic Waste), 2022

A swampy marsh of deep green grasses littered with chip bags, liquor bottles and spray paint cans rendered in delicate watercolor brush strokes.

Sterling Wells, Ballona Creek 1 (Floating Lunchable), 2022

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

On a blue and purple background four nude figures dance in a circle with their arms raised and mouths agape in exaltation.

Shagha Ariannia, Invitation, 2023

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

A rectangular sewn textile piece of marbled satin in yellow, pink, blue and magenta with three faces emerging from the patterning of the fabric.

Libby Rosen, Feather Frames, 2023

A free standing sculpture of a reclining figure painted red and green with a balloon for a head holds a pod of peas with spray foam bulging out from the knees and feet.

Samara Golden, That 6, 2022

Heavily painted braided fabric of blue, gold and purple hangs from the wall encircling an anatomical painting of a heart.

Elaine Stocki, My beating heart (braided tondo), 2023

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

Against a light orange background a group of children of varying ages gather around a batman piñata while a maternal figure holds the hands of the youngest child. Palm trees, stacks of wooden palettes and the Hollywood sign form the backdrop of this familial scene.

Reginald Armstrong, Legends, 2023

Hot Glue, installation view, 2023

Hot Glue, installation view, 2023

A series of seven wall mounted ceramic platter like forms glazed in earth tones with images of black female musicians imprinted in each.

Rikkí Wright, Auntie Plate Collection, 2021-2023

In wide swatches of blue, yellow and rust tones the forms of three women in restful poses emerge from the abstraction that dominates the composition.

Sarah Awad

Against a Southland Sky, 2023

oil and vinyl on canvas

66 x 72 in (167.6 x 182.9 cm)

A blend of recycled paper pulp is applied to the front page of the New York Times. Colorful checkered grids are painted overtop and four fruit stickers line the bottom.

Magnus Maxine

The New York Times Saturday May 30th 2020, 2020-2023

oil on newspaper

26 1/2 x 27 1/2 x 3 1/4 in (67.3 x 69.9 x 8.3 cm)

Inquire
A free standing sculpture with a sliced piece of antler anchored into walnut wood. A bow used on string instruments balances on top of the antler with a triangular piece of wood brushed with pink paint.

Conrad Guevara

sfffz, 2023

bow, acrylic, antler, steel rod, cedar and walnut

20 x 7 x 17 in (50.8 x 17.8 x 43.2 cm)

Inquire
Two nude figures cut out of paper engage in an intimate act that ripples into orange and black pools of lava that surround them.

Khari Johnson-Ricks

Hotshot!, 2023

watercolor and ink on paper

53 x 65 in (134.6 x 165.1 cm)

Inquire
Thick strokes of blue, red, pink, green, orange and yellow layer overtop of one another in chaotic harmony on unprimed linen.

Alex Andrew Sanchez

Once, if I remember well, my life was a feast where all hearts opened and all wines flowed., 2023

oil, acrylic, and pastel on linen

80 x 60 x 1 1/2 in (203.2 x 152.4 cm)

Inquire
Four hands rendered in brown glaze interlock and form a circle around amorphous drippy white, blue and green forms.

Julia Haft-Candell

Interlocking Arch (With Bits of Nothing/Everything, Chains and Necklace), 2023

fired clay, glaze, bronze and jewelry

19 x 15 1/2 x 4 1/2 in (48.3 x 39.4 x 11.4 cm)

Inquire
A muddy marsh filled with vape cartridges, a baby's shoe, empty bottles and a hello kitty stuffed toy are rendered in light and drippy watercolor brush strokes.

Sterling Wells

Ballona Creek 2 (Hello Kitty/ You Belong Here/ End Plastic Waste), 2022

watercolor on paper

47 1/4 x 35 x 1 1/2 in (120 x 88.9 x 3.8 cm)

Inquire
A swampy marsh of deep green grasses littered with chip bags, liquor bottles and spray paint cans rendered in delicate watercolor brush strokes.

Sterling Wells

Ballona Creek 1 (Floating Lunchable), 2022

watercolor on paper

47 1/4 x 35 x 1 1/2 in (120 x 88.9 x 3.8 cm)

Inquire
On a blue and purple background four nude figures dance in a circle with their arms raised and mouths agape in exaltation.

Shagha Ariannia

Invitation, 2023

acrylic on linen

36 x 48 in (91.4 x 121.9 cm)

Inquire
A rectangular sewn textile piece of marbled satin in yellow, pink, blue and magenta with three faces emerging from the patterning of the fabric.

Libby Rosen

Feather Frames, 2023

acrylic, satin, and batting

39 3/4 x 31 1/2 in (101 x 80 cm)

Inquire
A free standing sculpture of a reclining figure painted red and green with a balloon for a head holds a pod of peas with spray foam bulging out from the knees and feet.

Samara Golden

That 6, 2022

expanding spray foam, acrylic paint, rubber balloons, nylon tights

8 1/2 x 23 x 11 in (21.6 x 58.4 x 27.9 cm)

Inquire
Heavily painted braided fabric of blue, gold and purple hangs from the wall encircling an anatomical painting of a heart.

Elaine Stocki

My beating heart (braided tondo), 2023

watercolor and oil on braided canvas and linen

31 x 24 3/4 x 6 in (78.7 x 62.9 x 15.2 cm)

Inquire
Against a light orange background a group of children of varying ages gather around a batman piñata while a maternal figure holds the hands of the youngest child. Palm trees, stacks of wooden palettes and the Hollywood sign form the backdrop of this familial scene.

Reginald Armstrong

Legends, 2023

acrylic, oil, and gold leaf on canvas

60 x 40 in. (154.4 x 101.6 cm)

Inquire
A series of seven wall mounted ceramic platter like forms glazed in earth tones with images of black female musicians imprinted in each.

Rikkí Wright

Auntie Plate Collection, 2021-2023

glazed stoneware

32 x 22 x 1 in (81.3 x 55.9 x 2.5 cm)

Inquire
In wide swatches of blue, yellow and rust tones the forms of three women in restful poses emerge from the abstraction that dominates the composition.

Sarah Awad

Against a Southland Sky, 2023

oil and vinyl on canvas

66 x 72 in (167.6 x 182.9 cm)

A blend of recycled paper pulp is applied to the front page of the New York Times. Colorful checkered grids are painted overtop and four fruit stickers line the bottom.

Magnus Maxine

The New York Times Saturday May 30th 2020, 2020-2023

oil on newspaper

26 1/2 x 27 1/2 x 3 1/4 in (67.3 x 69.9 x 8.3 cm)

A free standing sculpture with a sliced piece of antler anchored into walnut wood. A bow used on string instruments balances on top of the antler with a triangular piece of wood brushed with pink paint.

Conrad Guevara

sfffz, 2023

bow, acrylic, antler, steel rod, cedar and walnut

20 x 7 x 17 in (50.8 x 17.8 x 43.2 cm)

Two nude figures cut out of paper engage in an intimate act that ripples into orange and black pools of lava that surround them.

Khari Johnson-Ricks

Hotshot!, 2023

watercolor and ink on paper

53 x 65 in (134.6 x 165.1 cm)

Thick strokes of blue, red, pink, green, orange and yellow layer overtop of one another in chaotic harmony on unprimed linen.

Alex Andrew Sanchez

Once, if I remember well, my life was a feast where all hearts opened and all wines flowed., 2023

oil, acrylic, and pastel on linen

80 x 60 x 1 1/2 in (203.2 x 152.4 cm)

Four hands rendered in brown glaze interlock and form a circle around amorphous drippy white, blue and green forms.

Julia Haft-Candell

Interlocking Arch (With Bits of Nothing/Everything, Chains and Necklace), 2023

fired clay, glaze, bronze and jewelry

19 x 15 1/2 x 4 1/2 in (48.3 x 39.4 x 11.4 cm)

A muddy marsh filled with vape cartridges, a baby's shoe, empty bottles and a hello kitty stuffed toy are rendered in light and drippy watercolor brush strokes.

Sterling Wells

Ballona Creek 2 (Hello Kitty/ You Belong Here/ End Plastic Waste), 2022

watercolor on paper

47 1/4 x 35 x 1 1/2 in (120 x 88.9 x 3.8 cm)

A swampy marsh of deep green grasses littered with chip bags, liquor bottles and spray paint cans rendered in delicate watercolor brush strokes.

Sterling Wells

Ballona Creek 1 (Floating Lunchable), 2022

watercolor on paper

47 1/4 x 35 x 1 1/2 in (120 x 88.9 x 3.8 cm)

On a blue and purple background four nude figures dance in a circle with their arms raised and mouths agape in exaltation.

Shagha Ariannia

Invitation, 2023

acrylic on linen

36 x 48 in (91.4 x 121.9 cm)

A rectangular sewn textile piece of marbled satin in yellow, pink, blue and magenta with three faces emerging from the patterning of the fabric.

Libby Rosen

Feather Frames, 2023

acrylic, satin, and batting

39 3/4 x 31 1/2 in (101 x 80 cm)

A free standing sculpture of a reclining figure painted red and green with a balloon for a head holds a pod of peas with spray foam bulging out from the knees and feet.

Samara Golden

That 6, 2022

expanding spray foam, acrylic paint, rubber balloons, nylon tights

8 1/2 x 23 x 11 in (21.6 x 58.4 x 27.9 cm)

Heavily painted braided fabric of blue, gold and purple hangs from the wall encircling an anatomical painting of a heart.

Elaine Stocki

My beating heart (braided tondo), 2023

watercolor and oil on braided canvas and linen

31 x 24 3/4 x 6 in (78.7 x 62.9 x 15.2 cm)

Against a light orange background a group of children of varying ages gather around a batman piñata while a maternal figure holds the hands of the youngest child. Palm trees, stacks of wooden palettes and the Hollywood sign form the backdrop of this familial scene.

Reginald Armstrong

Legends, 2023

acrylic, oil, and gold leaf on canvas

60 x 40 in. (154.4 x 101.6 cm)

A series of seven wall mounted ceramic platter like forms glazed in earth tones with images of black female musicians imprinted in each.

Rikkí Wright

Auntie Plate Collection, 2021-2023

glazed stoneware

32 x 22 x 1 in (81.3 x 55.9 x 2.5 cm)