Night Gallery is thrilled to present In Circles, Still Forward, an exhibition of new paintings by Los Angeles based artist Kayla Witt. In Circles, Still Forward is Witt’s first solo exhibition with the gallery following her inclusion in Superbloom and our 2024 Frieze London presentation.
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, As Above, So Below, 2025
oil on canvas
85 1/2 x 61 3/4 in
Witt’s work befriends the unknown and the varied ways in which we approach the mysteries that surround us. Spanning ancient archetypes and new age mysticism, Witt maps our yearning for connectivity, understanding and self actualization.
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Circling the Drain and Other Metaphors for Growth, 2025
oil on canvas
84 1/2 x 90 in
Kayla Witt, Circling the Drain and Other Metaphors for Growth, detail, 2025
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Wheel of Fortune, 2025
oil on canvas
58 1/2 x 42 1/4 in
There is an earnest hunger in Witt’s latest body of work. A hunger for guidance, for belonging, for clarity and healing. Access to immaterial realms offered by posters and billboards highlight the ubiquity of ancient questions, commercialized in tchotchke form. Signage, symbols and talismans overlap and reinforce their common message by illustrating the persistence of invitations to step toward unchartered waters.
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, And Then the Heavens Opened, 2025
oil on canvas
29 x 24 1/2 in
Like the snake that eats its tail, Witt employs the circle as a cyclical emblem, perpetually moving through beginnings and endings. The circle is contained and endless, centripetal and holistic, composed of continuous points to make a whole. Geometry carries sacred and utilitarian weight in Witt’s lexicon.
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Journey Home, 2025
oil on canvas
85 1/2 x 130 1/2 in
Kayla Witt, Journey Home, detail, 2025
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Searching for the Missing Piece, 2025
oil on canvas
73 x 110 in
Kayla Witt, Searching for the Missing Piece, detail, 2025
The paintings in the exhibition function as portraiture, depicting states of mind both singular and collective. As Witt reminds us, interiority is a physical and psychological space. In Searching for the Missing Piece, Witt selects items that act as surrogates for lived experience. Our belongings depict our longings, microcosms of desire fixed in objecthood. A model skeleton with arms extended reaches for a cosmic orb on a staircase that leads to nowhere. Facets of life vast enough to spark existential dread are rendered comprehendible in miniaturization. The immensity of the universe affixed in pacified neutrality when found repeated in wallpaper motifs, wind chimes and window appliqués. These shifts in scale enlarge our sense of self, enabling fleeting reprieve from panic stricken insignificance amongst planetary rhythms. An unassuming diptych, the work’s lost piece of the puzzle remains afloat, ever searching for home.
Kayla Witt, Searching for the Missing Piece, 2025
oil on canvas
13 1/4 x 18 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Psychic storefronts and other constructed vessels for transcendence are juxtaposed with awe inspiring sky scapes, infusing the work with temporality. Seemingly synchronistic encounters with the sublime draw upon Carl Jung’s notion of the numinous. The numinous is experiential, a spiritual presence in space that can free us from isolation, reconnecting us with the world at large.
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, A Brief Pause Before Eternity, 2025
oil on canvas
90 x 114 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, I Guess I Have To, With Confidence, 2024
oil on canvas
70 x 74 1/2 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Put Your Left Hand In, 2025
oil on canvas
50 x 48 in
Kayla Witt, Put Your Left Hand In, detail, 2025
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, I’m Afraid I Have to Cancel, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Adjust, 2025
oil on canvas
13 1/2 x 11 in
Signifiers of transformation appear throughout In Circles, Still Forward. Heralds of regeneration abound, a new leaf around every corner if you wish it. Tolled numbers offering salvation line each pathway, tempting us with a fresh start. Signs ask viewers to “Follow Signs”, river stones are engraved with reminders to “Adjust”, caterpillars climb blades of grass while chicks break out of their shells.
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Reading Between the Lines, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Mirror, Mirror, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, Whenever You’re Ready, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Juggling Act, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, Over the Hill and Far Away, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, Close Your Eyes, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Things That Change When You’re Not Looking, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Unlock A Better Experience, 2025
oil on canvas wrapped panel
17 x 11 in
Kayla Witt, Wash Away the Night’s Dust, 2025
oil on canvas wrapped panel
17 x 11 in
With lighthearted sincerity In Circles, Still Forward pulls at the strings of what it means to live in both a spiritual and material world. As the Greek goddess Hecate adorns a roadside divorce attorney, the semiotics of landscape reflect our collective psyche.
-Mickey Mackenna Dill
Kayla Witt, In Circles, Still Forward, installation view, 2025
Kayla Witt, Please Follow Signs, 2025
oil on panel
49 3/4 x 28 1/2 in
Kayla Witt (b. 1994, Calgary, AB, Canada) has had solo exhibitions at Night Gallery, Los Angeles, CA; Sow & Tailor, Los Angeles, CA; and the University of Waterloo Art Gallery, Waterloo, ON. She has participated in group shows at Arsenal Contemporary, New York; albertz benda, Los Angeles, CA; Ketabi Bourdet, Paris, FR; WOAW Gallery, Hong Kong; Critical Distance Centre for Curators, Toronto, ON; among others. Witt has completed a number of residencies including Otis College of Art and Design, Los Angeles, CA; and Struts Gallery, Sackville, NB. Her work has been featured in HypeArt, Booooooom, Harper’s Magazine, It’s Nice That, Surface Mag, among others. She received her BFA from Ontario College of Art and Design University, Toronto, ON and her MFA from the University of Waterloo, Waterloo, ON. Witt lives and works in Los Angeles, CA.
