Please ensure Javascript is enabled for purposes of website accessibility Skip to content

THE WRONG SEA

Night Gallery in collaboration with DUNES is pleased to present The Wrong Sea, an exhibition featuring work by Sachiko Akiyama, Jared Buckhiester, Cathleen Clarke, Lynne Mapp Drexler, Marley Freeman, Jerrell Gibbs, Bambou Gili, Dylan Hausthor, Danielle Mckinney, Jesse Mockrin, Catalina Ouyang, Eric Palgon, Lily Stockman, Owen Westberg and Coco Young. The Wrong Sea will be on view from August 3 - October 5, 2024 at DUNES, Portland, ME.

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A free standing sculpture of stained glass with blocky swatches of yellow, blue, red and green mounted in a white metal frame.

Marley Freeman, Ice Glistens, 2023

A pair of roller skates covered in seashells and dried grasses.

Catalina Ouyang, untitled, 2018

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A painting of a man on a sailboat reading a book.

Jerrell Gibbs, Dear Summer, 2024

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A vertically horizontal painting of a red bird with a long tail.

Coco Young, The Messenger, 2024

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

This collaboration was motivated by the two galleries’ mutual desire to celebrate Maine’s place within art history. Beginning in the late 1800s, Maine became known for its artist communities, including Ogunquit, Haystacks and Skowhegan among others. Many of their founding artists studied in Europe; they brought back to the States a romanticized vision of the pastoral and an emphatic rejection of modern life. These artists were deeply influenced by the Barbizon and post-impressionist painters who sought unmanicured nature as a subject. And so the lush forests and jagged coasts to the north of New York and Boston became in many ways the American Fontainebleau, attracting Edward Hopper, Frederic Edwin Church, Robert Henri, Margaret Jordan Patterson and countless subsequent followers to the landscape.

A cropped painting of a person combing their hair.

Jesse Mockrin, Titivate, 2022

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

An abstract painting of varying hues of blue that seem to recede into the background.

Eric Palgon, Untitled, 2024

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A hollow white ceramic sculpture of a man holding a rainbow.

Jared Buckhiester, Man Devouring a Rainbow, 2021

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

An abstract painting with blue borders in varying tones and a central series of deep crimson waves.

Lily Stockman, Cranberry Oyster, 2024

Throughout The Wrong Sea contemporary artists from both gallery programs echo the sentiments of this history. Sachiko Akiyama, Bambou Gili, Jerrell Gibbs and Danielle Mckinney depict personal reflection in communion with the natural world. Jesse Mockrin and Coco Young both look to and recontextualize works of the western canon. The paintings of Lily Stockman and Owen Westberg are shaped by the land that surrounds them. Each artist forgoes the search for something “new,” looking instead to the past for a better understanding of their worlds.

A sculpture of a woman with her arms crossed in a burgundy bowl atop large blue waves.

Sachiko Akiyama, Carried, 2013

Detail of the figure in Sachiko Akiyama's "Carried"

Sachiko Akiyama, Carried, detail, 2013

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A painting of a blue pheasant in an green field.

Bambou Gili, Window Quail, 2024

A small painting of an amber cup against a blue background.

Owen Westberg, Amber Cup, 2024

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A painting of a person reclining on a couch in dim lighting.

Danielle Mckinney, Cortex, 2024

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A photograph of many small fish hung on strings with a man visible in the background.

Dylan Hausthor, fsh, 2024

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A sculpture of a woman's head resting with a blue netted form balancing atop it with a forearm on top.

Sachiko Akiyama, Untitled, 2024

Beyond an exploration of regional history, many artists included have a connection to Maine and have been influenced by its landscape. Lynne Mapp Drexler lived and worked on Monhegan until her death in 1999, Lily Stockman works from Maine part of the year, Coco Young traveled from New York to Maine for childhood summers, and Sachiko Akiyama, a local artist, and Jerrell Gibbs both studied at Skowhegan. Crucially for the generation of this show, DUNES founding director Boru O’Brien O’Connell and William Hathaway, Sales Director and Partner of Night Gallery grew up together in Bar Harbor, ME. O’Brien O’Connell also introduced Brian Faucette, Senior Director of Night Gallery, to the region when the pair attended art school together in the early 2000s. There is an attraction to the dense forests and rocky shores for artists that exceeds provinciality, a deep impression that has, and continues to shape, American art.

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A painting of a figure in a yellow dress and a vase of grey/blue flowers against a speckled orange background.

Lynne Drexler, Samantha, 1990

Installation view of "The Wrong Sea" at Dunes, 2024

The Wrong Sea, installation view, DUNES, Portland, Maine.

A painting of a red figure diving into dark green waters.

Cathleen Clarke, Deep Blue, 2024

A free standing sculpture of stained glass with blocky swatches of yellow, blue, red and green mounted in a white metal frame.

Marley Freeman

Ice Glistens, 2023

fused glass

30 1/4 x 19 1/2 in (76.8 x 49.5 cm)

Inquire
A pair of roller skates covered in seashells and dried grasses.

Catalina Ouyang

untitled, 2018

seashells, polymer glue, found roller skates, chia seeds

11 1/2 x 9 x 7 1/2 in (29.2 x 22.9 x 19.1 cm)

Inquire
A painting of a man on a sailboat reading a book.

Jerrell Gibbs

Dear Summer, 2024

acrylic on board

18 x 18 in (45.7 x 45.7 cm)

Inquire
A vertically horizontal painting of a red bird with a long tail.

Coco Young

The Messenger, 2024

oil on linen

65 x 24 in (165.1 x 61 cm)

A cropped painting of a person combing their hair.

Jesse Mockrin

Titivate, 2022

oil on cotton

11 x 14 1/4 in (27.9 x 36.2 cm)

An abstract painting of varying hues of blue that seem to recede into the background.

Eric Palgon

Untitled, 2024

oil on panel

9 x 12 in (22.9 x 30.5 cm)

Inquire
A hollow white ceramic sculpture of a man holding a rainbow.

Jared Buckhiester

Man Devouring a Rainbow, 2021

bisqued stoneware and oil stick

21 x 10 x 11 1/2 in (53.3 x 25.4 x 29.2 cm)

Inquire
An abstract painting with blue borders in varying tones and a central series of deep crimson waves.

Lily Stockman

Cranberry Oyster, 2024

oil on linen

14 x 11 in (35.6 x 27.9 cm)

A sculpture of a woman with her arms crossed in a burgundy bowl atop large blue waves.

Sachiko Akiyama

Carried, 2013

wood, metal, resin, paint

59 x 16 x 20 in (149.9 x 40.6 x 50.8 cm)

Inquire
A painting of a blue pheasant in an green field.

Bambou Gili

Window Quail, 2024

oil on linen

45 x 30 in (114.3 x 76.2 cm)

A small painting of an amber cup against a blue background.

Owen Westberg

Amber Cup, 2024

oil on aluminum

5 7/8 x 7 7/8 in (14.9 x 20 cm)

Inquire
A painting of a person reclining on a couch in dim lighting.

Danielle Mckinney

Cortex, 2024

oil on canvas

14 x 11 in (35.6 x 27.9 cm)

A photograph of many small fish hung on strings with a man visible in the background.

Dylan Hausthor

fsh, 2024

archival pigment print

8 x 10 in (20.3 x 25.4 cm)

Inquire
Sachiko Akiyama

Untitled, 2024

wood, paint, epoxy, wire

15 x 10.5 x 7.5 in (38 x 26.6 x 19 cm)

Sachiko Akiyama

Untitled, 2024

wood, paint, epoxy, wire

15 x 10.5 x 7.5 in (38 x 26.6 x 19 cm)

Inquire
A painting of a figure in a yellow dress and a vase of grey/blue flowers against a speckled orange background.

Lynne Drexler

Samantha, 1990

oil on canvas

19 x 16 in (48.3 x 40.6 cm)

Inquire
A painting of a red figure diving into dark green waters.

Cathleen Clarke

Deep Blue, 2024

oil and acrylic on canvas

40 x 30 in (101.6 x 76.2 cm)

A free standing sculpture of stained glass with blocky swatches of yellow, blue, red and green mounted in a white metal frame.

Marley Freeman

Ice Glistens, 2023

fused glass

30 1/4 x 19 1/2 in (76.8 x 49.5 cm)

A pair of roller skates covered in seashells and dried grasses.

Catalina Ouyang

untitled, 2018

seashells, polymer glue, found roller skates, chia seeds

11 1/2 x 9 x 7 1/2 in (29.2 x 22.9 x 19.1 cm)

A painting of a man on a sailboat reading a book.

Jerrell Gibbs

Dear Summer, 2024

acrylic on board

18 x 18 in (45.7 x 45.7 cm)

A vertically horizontal painting of a red bird with a long tail.

Coco Young

The Messenger, 2024

oil on linen

65 x 24 in (165.1 x 61 cm)

A cropped painting of a person combing their hair.

Jesse Mockrin

Titivate, 2022

oil on cotton

11 x 14 1/4 in (27.9 x 36.2 cm)

An abstract painting of varying hues of blue that seem to recede into the background.

Eric Palgon

Untitled, 2024

oil on panel

9 x 12 in (22.9 x 30.5 cm)

A hollow white ceramic sculpture of a man holding a rainbow.

Jared Buckhiester

Man Devouring a Rainbow, 2021

bisqued stoneware and oil stick

21 x 10 x 11 1/2 in (53.3 x 25.4 x 29.2 cm)

An abstract painting with blue borders in varying tones and a central series of deep crimson waves.

Lily Stockman

Cranberry Oyster, 2024

oil on linen

14 x 11 in (35.6 x 27.9 cm)

A sculpture of a woman with her arms crossed in a burgundy bowl atop large blue waves.

Sachiko Akiyama

Carried, 2013

wood, metal, resin, paint

59 x 16 x 20 in (149.9 x 40.6 x 50.8 cm)

A painting of a blue pheasant in an green field.

Bambou Gili

Window Quail, 2024

oil on linen

45 x 30 in (114.3 x 76.2 cm)

A small painting of an amber cup against a blue background.

Owen Westberg

Amber Cup, 2024

oil on aluminum

5 7/8 x 7 7/8 in (14.9 x 20 cm)

A painting of a person reclining on a couch in dim lighting.

Danielle Mckinney

Cortex, 2024

oil on canvas

14 x 11 in (35.6 x 27.9 cm)

A photograph of many small fish hung on strings with a man visible in the background.

Dylan Hausthor

fsh, 2024

archival pigment print

8 x 10 in (20.3 x 25.4 cm)

Sachiko Akiyama

Untitled, 2024

wood, paint, epoxy, wire

15 x 10.5 x 7.5 in (38 x 26.6 x 19 cm)

Sachiko Akiyama

Untitled, 2024

wood, paint, epoxy, wire

15 x 10.5 x 7.5 in (38 x 26.6 x 19 cm)

A painting of a figure in a yellow dress and a vase of grey/blue flowers against a speckled orange background.

Lynne Drexler

Samantha, 1990

oil on canvas

19 x 16 in (48.3 x 40.6 cm)

A painting of a red figure diving into dark green waters.

Cathleen Clarke

Deep Blue, 2024

oil and acrylic on canvas

40 x 30 in (101.6 x 76.2 cm)